Excerpt: The Invisible Husband of Frick Island

Hi book friends! Today we have a spotlight for the new emotional story from Colleen Oakley, The Invisible Husband of Frick Island. This book releases tomorrow and it sounds so good. Read on for synopsis and excerpt!

Synopsis:

Sometimes all you need is one person to really see you.

Piper Parrish's life on Frick Island—a tiny, remote town smack in the middle of the Chesapeake Bay—is nearly perfect. Well, aside from one pesky detail: Her darling husband, Tom, is dead. When Tom's crab boat capsized and his body wasn't recovered, Piper, rocked to the core, did a most peculiar thing: carried on as if her husband was not only still alive, but right there beside her, cooking him breakfast, walking him to the docks each morning, meeting him for their standard Friday night dinner date at the One-Eyed Crab. And what were the townspeople to do but go along with their beloved widowed Piper?

Anders Caldwell’s career is not going well. A young ambitious journalist, he’d rather hoped he’d be a national award-winning podcaster by now, rather than writing fluff pieces for a small town newspaper. But when he gets an assignment to travel to the remote Frick Island and cover their boring annual Cake Walk fundraiser, he stumbles upon a much more fascinating tale: an entire town pretending to see and interact with a man who does not actually exist. Determined it’s the career-making story he’s been needing for his podcast, Anders returns to the island to begin covert research and spend more time with the enigmatic Piper—but he has no idea out of all the lives he’s about to upend, it’s his that will change the most.

USA Today bestselling author Colleen Oakley delivers an unforgettable love story about an eccentric community, a grieving widow, and an outsider who slowly learns that sometimes faith is more important than the facts.

Excerpt:

While the rest of the town knew the worst had happened, Piper held out hope. Maybe Tom got disoriented and swam in the wrong direction, washing up on a deserted island, and was currently eating coconuts and writing messages in palm fronds for passing airplanes. Or maybe a ship of Somali pirates picked him up and he was being held against his will, unable to negotiate his release due to the language barrier. Or a whale swallowed him whole and he was contemplating his escape from the depths of its belly. Each of her theories was more outlandish than the next, but to Piper, none were as ridiculous as what the rest of the town believed—that Tom was gone. That she would never lay eyes on him again.

In the days following the Coast Guard’s announcement that they were calling off the search for Tom, Piper found herself growing increasingly intolerant. And not just with the rescue teams who were, in her view, prematurely giving up. She couldn’t stand the way people started looking at her, their eyes filled with pity. She couldn’t abide the way they began referring to Tom in past tense. But the final straw was when the members of the island’s Methodist (and only) church—where the Parrish family had been attending for as long as the church had been on the island, and where Tom and Piper had exchanged vows and thin gold bands—started planning a memorial service for Tom. Upon receiving that news, Piper locked herself in her one-bedroom carriage house behind the Oleckis’ bed-and-breakfast. She didn’t answer the phone, or the door, not even when Lady Judy stopped by with enough smoked ham and beaten biscuits and peach cobbler to feed half the island. She left the food on Piper’s stoop and it sat there all afternoon until the sun set. Until Mrs. Olecki retrieved it and set it out in the main house’s toile-covered living room for her current boarders to enjoy for supper.

Piper missed the memorial service altogether, where Tom’s mother, glassy-eyed and catatonic, stood propped up by her brother Frank on one side and her nephew Steve on the other and the Valium that had been pumping through her veins daily since her husband’s heart attack—the aptly named Widow Maker—had made good on its promise. Where Tom’s cousin Steve’s newborn interrupted the reverend with her insistent squalls, eyes screwed shut tight, giving voice to the pain the watermen were too stoic to show. Everyone asked after Piper, murmuring their condolences to every Parrish in attendance. Poor girl, they said, shaking their heads, offering various superlatives: too young, most in love, the worst.

But Piper couldn’t hear them. She was in her bedroom, staring at the dent Tom’s head had left on his pillow when his alarm clock prompted him to get up at 4:30 a.m. two weeks earlier. Piper didn’t dare touch it—not even to try to inhale his scent that surely remained on the floral cover. Or Tom’s near-empty mug of coffee sitting in the sink, a film of mold growing on the top layer of liquid still left in the cup. Or the book—Middlesex, by Jeffrey Eugenides—splayed open, pages facedown, on top of the two wooden crates they stacked in the corner to use as a side table in their tiny den. It was as if all of these things, Tom’s things, suddenly sprouted magical properties, transformed into talismans beckoning Tom back to where he belonged—to his bed to sleep, to the kitchen to wash out his coffee mug and hang it on the hook next to the sink, to the threadbare easy chair in the den to find out what happens to the characters of his current novel. They weren’t just reminders of Tom, they were promises. He was going to come home. Of that one thing, Piper was sure.

And then one morning, just like that, he did.